
25 Cats Named Sam
20 works

Saint Apollonia F.S. II 330 - 333 (Complete Portfolio), 1984
Complete portfolio of four screen prints on Essex Offset Kid Finish paper
30 x 22 in 76.2 x 55.9 cm
Andy Warhol’s Saint Apollonia portfolio, created in 1984, draws inspiration from a 15th-century panel painting attributed to the workshop of Piero della Francesca, dated circa 1470. The subject, Saint Apollonia, is venerated in Christian tradition as the patron saint of dentistry—martyrdom accounts describe her teeth being violently extracted with pincers, an image that endures in her iconography.Though Warhol’s legacy is most commonly associated with celebrity culture, consumer goods, and Pop Art’s brash irreverence, he was also a devout Catholic whose faith increasingly informed his work in the later stages of his career. His religious devotion coexisted with his identity as a gay man—a complex duality that permeates many of his more contemplative series. With Saint Apollonia, Warhol turns his attention to sacred subjects and explores themes of martyrdom, veneration, and spiritual symbolism, rooted in the Byzantine Catholic tradition of his youth. As a child, Warhol regularly attended the St. John Chrysostom Byzantine Catholic Church in Pittsburgh, where gilded icons and ceremonial aesthetics likely planted the seeds for his lifelong fascination with religious imagery.Unlike many of his other reinterpretations of Renaissance works, Saint Apollonia is handled with notable reverence and restraint. While Warhol’s typical style includes bold color overlays and intentionally off-register silkscreening, here he opts for fidelity to the original. The prints maintain the central composition of the Francesca panel, including the worn texture and aged "cracks" of the five-century-old painting. The color palette, though still distinctively Warholian, is comparatively subdued—muted tones replace the saturated vibrancy often found in his portraits of celebrities or political figures.The complete portfolio consists of four screenprints: FS II.330, 331, 332, and 333. Each version explores subtle shifts in tone, layering, and emotional resonance, yet all remain anchored in the original image’s composition. Warhol does little to crop or distort the subject. Instead, he treats the figure of Saint Apollonia with a sense of solemnity, preserving her quiet dignity and ethereal presence.Saint Apollonia forms part of a broader body of religiously inspired work that Warhol developed later in his career. While early Pop masterpieces like Marilyn Diptych and Campbell’s Soup Cans captured the secular icons of postwar America, his religious works reflect a deepening introspection and an evolving dialogue with art history. This spiritual turn is also evident in portfolios such as Details of Renaissance Paintings, The Birth of Venus, The Annunciation, and St. George and the Dragon. In each, Warhol bridges the sacred and the contemporary, the canonical and the commercial.His treatment of Saint Apollonia is perhaps the most respectful and directly referential of all. Unlike other reinterpretations where he fragmented, distorted, or glamorized his subjects, here Warhol assumes the role of custodian rather than provocateur. The preservation of the panel’s structure, including the illusion of age, suggests a conscious homage—not only to della Francesca’s workshop but to the entire tradition of Christian devotional art.Today, the original painting of Saint Apollonia resides in the National Gallery of Art in Washington, D.C., while Warhol’s portfolio lives on as a striking and unexpected chapter in his artistic journey—one that underscores the depth and complexity of his personal faith, and his enduring fascination with the visual power of icons, whether sacred or secular.For more information on Andy Warhol’s complete Saint Apollonia portfolio for sale or to buy the complete Saint Apollonia set contact our galleries using the form below.


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Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.