
Works on Paper
3 works

REEL Fake Bass Quay Aye, 2024
Oil stick acrylic, spray, paint, charcoal pencil, and crayon on canvas
178 x 211 cm
Nathan Paddison's "REEL Fake Bass Quay Aye" exemplifies the artist's restless interrogation of surface, language, and gestural immediacy. Across this monumental canvas, Paddison layers oil stick, acrylic, spray paint, charcoal pencil, and crayon into a dense visual field where figuration emerges and dissolves in equal measure. Fragmented letter forms and phonetic wordplay scattered throughout the composition suggest communication on the verge of collapse—language reduced to pure sound and texture rather than stable meaning. The title itself, with its puns and sonic slippages, operates as an entry point into this destabilized territory. The palette moves between passages of raw, unworked canvas and areas of intense chromatic buildup, creating a push-pull rhythm that keeps the eye in constant motion. Recognizable forms—perhaps a face, a limb, an architectural fragment—flicker at the edges of perception before being subsumed by aggressive mark-making or veils of spray paint. There is an emotional volatility here, a sense of something being simultaneously constructed and dismantled, that speaks to contemporary anxieties about authenticity and surface. Within Paddison's broader practice, this work represents his continued commitment to the physicality of painting itself, treating the canvas as an arena for accumulation, erasure, and revision. The monumental scale demands bodily engagement from both artist and viewer, while the mixed-media approach reflects his refusal to settle into a single painterly language. This commanding work would anchor any collection dedicated to the vitality of contemporary expressionist painting.
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