
Works on Paper
3 works

Real Fake Vouis, 2022
Oil stick matte vinyl acrylic spray paint charcoal and pencil on canvas
204 x 188 cm
Nathan Paddison's "Real Fake Vouis" commands attention through its monumental scale and layered materiality, bringing together oil stick, matte vinyl, acrylic, spray paint, charcoal, and pencil in a dense accumulation of mark-making that oscillates between figuration and abstraction. The title itself plays with notions of authenticity and simulation, a wry nod to consumer culture and the slippage between the genuine and the counterfeit. Across the expansive canvas, gestural strokes collide with more deliberate passages, creating zones of tension where recognizable forms threaten to emerge before dissolving back into raw painterly chaos. The varied media produce a richly textured surface—matte areas absorb light while glossier passages reflect it, generating an optical push and pull that activates the entire picture plane. The emotional register here is urgent and restless, carrying an undercurrent of anxiety that feels distinctly contemporary. There is humor too, embedded in the wordplay of the title, but it sits alongside something more unsettling, a recognition that surfaces deceive and meaning remains perpetually unstable. Paddison's willingness to embrace contradiction—control and spontaneity, legibility and obscurity, sincerity and irony—places this work squarely within his broader practice, where the physicality of painting meets conceptual inquiry without sacrificing visceral impact. Within the context of Guy Hepner's program, "Real Fake Vouis" represents an opportunity to acquire a significant large-scale painting by an artist whose expressive handling of materials and sharp cultural awareness position him as a vital voice in contemporary figurative abstraction.
Price on Application

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