
Paintings
26 works

Untitled (Pig), 2024
Mixed media on paper
42 x 30 cm
Nathan Paddison's "Untitled (Pig)" presents a visceral encounter with its subject, rendered in the artist's characteristic blend of controlled gesture and raw spontaneity. The pig emerges from the paper's surface with an almost confrontational presence, its form built through layered applications of media that oscillate between precise delineation and expressive dissolution. Paddison treats the animal not as pastoral subject but as a vehicle for exploring flesh, vulnerability, and the tension between representation and abstraction. The work demonstrates Paddison's facility with paper as a responsive surface, allowing pigments to bleed and pool in ways that canvas would resist. Areas of the composition appear worked and reworked, scraped back and built up again, creating a palimpsest effect that suggests the image has fought its way into existence. The pig's features—perhaps a snout, an eye, the curve of an ear—assert themselves before retreating into fields of gestural mark-making that refuse easy resolution. There is something deeply unsettling yet tender in how Paddison approaches this subject. The emotional register hovers between intimacy and alienation, inviting viewers to consider what it means to truly see another creature. This ambivalence runs throughout his practice, where figuration serves as an anchor point from which abstraction radiates outward, never fully abandoning recognition but never settling into comfortable representation either. Within Paddison's broader body of work, "Untitled (Pig)" represents the artist at his most immediate, channeling instinct onto paper with an urgency that collectors seeking authentic contemporary expressionism will find deeply compelling.
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