
Paintings
39 works

Untitled (Pig), 2024
Mixed media on paper
42 x 30 cm
Nathan Paddison's "Untitled (Pig)" presents a visceral encounter with its subject, rendered in the artist's characteristic blend of controlled gesture and raw spontaneity. The pig emerges from the paper's surface with an almost confrontational presence, its form built through layered applications of media that oscillate between precise delineation and expressive dissolution. Paddison treats the animal not as pastoral subject but as a vehicle for exploring flesh, vulnerability, and the tension between representation and abstraction. The work demonstrates Paddison's facility with paper as a responsive surface, allowing pigments to bleed and pool in ways that canvas would resist. Areas of the composition appear worked and reworked, scraped back and built up again, creating a palimpsest effect that suggests the image has fought its way into existence. The pig's features—perhaps a snout, an eye, the curve of an ear—assert themselves before retreating into fields of gestural mark-making that refuse easy resolution. There is something deeply unsettling yet tender in how Paddison approaches this subject. The emotional register hovers between intimacy and alienation, inviting viewers to consider what it means to truly see another creature. This ambivalence runs throughout his practice, where figuration serves as an anchor point from which abstraction radiates outward, never fully abandoning recognition but never settling into comfortable representation either. Within Paddison's broader body of work, "Untitled (Pig)" represents the artist at his most immediate, channeling instinct onto paper with an urgency that collectors seeking authentic contemporary expressionism will find deeply compelling.
Price on Application


How To Collect George Condo Art

James Joyce: Three New Prints To Round Off 2025

James Joyce

The Significance of Emerging Painters in Today’s Art Market

Bella McGoldrick: Elevating the Everyday Through Hyperreal Detail

At Home with George Condo

Harland Miller

Why Collect Harland Miller?

James Joyce Deconstructed Faces

Who Is Bella McGoldrick? A Photorealistic Artist Making Everyday Objects Iconic

A Spotlight on Harland Miller

Eric Stefanski: Wear Your Heart On Your Sleeve

Battle of The Wits

Harland Miller The Perfection of Practice

Harland Miller This Is Where It's Fuckin At

George Condo’s Most Expensive Artworks

Harland Miller Prints: The Complete Collector's Guide

Sage Barnes

Sage Barnes

Nathan Paddison is an Australian artist based on the North Coast of Australia, working primarily in acrylic, spray paint, charcoal, and oil stick. He is entirely self-taught, having discovered painting during a difficult period earlier in his life, an experience that became the foundation of his practice and continues to inform the urgency and rawness of his work today.
Paddison's paintings are gestural and immediate, built with bold color, dynamic brushwork, and a flat, almost storybook rendering of figures such as wide eyed cats, toothy dinosaurs, and playing card royalty. His style draws on Art Brut and street art traditions, with clear affinities to Basquiat, Picasso, and Twombly, though his voice remains distinctly his own. Text often appears scattered across his surfaces, sometimes playful, sometimes fragmented, adding another layer to compositions that favor instinct and physical energy over careful planning.
He approaches each canvas with a sense of urgency, working across mixed media to avoid the limits of any single material. His subjects, whether drawn from childhood imagery or personal memory, are consistently distorted in a way meant to reveal character rather than surface appearance.
Paddison has exhibited across Australia, Europe, and Asia, and received the Kilgour Prize People's Choice Award from Newcastle Art Gallery in 2021.
Guy Hepner works with collectors seeking Nathan Paddison's raw, expressive paintings rooted in Art Brut tradition. Contact us to discuss available inventory or to inquire about upcoming releases.