
Aquatint
13 works

Jacqueline au Bandeau, 1962
Linoleum Cut on Arches Wove Paper.
24 3/8 x 17 3/8 in 62 x 44 cm
Edition of 50
Pablo Picasso’s Jacqueline au Bandeau, 1962, a linoleum cut on Arches wove paper, signed and numbered. It belongs to Picasso’s celebrated late linocuts and is a portrait of Jacqueline Roque, his final muse and second wife, who inspired more works than any other woman in his life.Unlike some of Picasso’s brightly colored linocuts from the early 1960s, this portrait is executed in stark contrasts of black and warm earthy tones, lending the image both solemnity and power. Jacqueline’s head emerges from a dense black ground, her features etched out through expressive carved lines. The bold vertical strokes and angular hatching reveal the planes of her face, creating a sense of sculptural presence within a flat medium.Her expression is pensive and enigmatic—large almond-shaped eyes, elongated nose, and softly parted lips suggest both intimacy and monumentality. The bandeau (headband) is only subtly indicated, yet it provides a structural frame for her flowing hair and accentuates her timeless, iconic presence.By 1962, Picasso had mastered the linocut reduction process, pushing the medium to unprecedented expressive heights. Here, he uses deep gouging and striated marks to build form through light and shadow, achieving an effect closer to drawing or even painting than to traditional printmaking.The choice of Arches wove paper, prized for its ability to hold the ink’s richness, allows the contrasting tones to resonate with intensity. This work demonstrates how Picasso could transform the inherently rigid linocut into a medium of extraordinary fluidity and depth.This portrait is part of Picasso’s vast visual dialogue with Jacqueline, whose presence dominated his work from their meeting in 1952 until his death in 1973. More than any of his muses—Marie-Thérèse, Dora Maar, Françoise Gilot—Jacqueline appears as both beloved woman and artistic archetype, rendered across paintings, drawings, ceramics, and prints.In Jacqueline au Bandeau, she becomes an almost sculptural figure, elevated from portrait to icon. The dramatic chiaroscuro and monumental treatment embody the reverence Picasso felt toward her, while the experimental linocut technique underscores his restless creativity.Jacqueline au Bandeau (1962) is a linoleum cut on Arches wove paper by Pablo Picasso, signed and numbered. Rendered in striking contrasts of black and earthy tones, the portrait depicts Jacqueline Roque, Picasso’s lifelong muse and wife, through bold carved lines and expressive shadows. Exemplifying Picasso’s mastery of the linocut and his profound engagement with Jacqueline as subject, the work transforms a personal likeness into a timeless, modern icon.For more information or to buyJacqueline au Bandeau by Pablo Picasso, contact our galleries using the form below.
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1959

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Faune et Chévre
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Femme au Chapeau (Portrait de Jacqueline au chapeau de paille multicolore).
1962

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Femme nue à la source
1963

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Grande Tete De Femme (Bloch 1069)
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Pablo Picasso
Jacqueline au chapeau à Fleurs. I
1962

Pablo Picasso
Jacqueline au chapeau de paille
1962

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Jacqueline Lisant
1964

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1959

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L'Etreinte (Bloch 1150)
1963

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1959

Pablo Picasso
Le Déjeuner sur l'herbe d'aprés Edouard Manet. (The Luncheon on the Grass after Edouard Manet)
1954

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Le Vieux bouffon
1963

Pablo Picasso
Le Vieux Roi (B. 1152) (The Old King)
1963

Pablo Picasso
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1959

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1962

Pablo Picasso
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1962

Pablo Picasso
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1962

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1962

Pablo Picasso
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`962

Pablo Picasso
Portrait de Femme a la Fraise et au Chapeau
1962

Pablo Picasso
Portrait De Jacqueline (Bloch 923)
1959

Pablo Picasso
Portrait de Jacqueline Accoudée
1959

Pablo Picasso
Portrait de Jacqueline Au Chapeau De Paille Fleuri
1962

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Portrait de Jacqueline en Carmen (L'Espagnole)
1962

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Taureau et Picador
1959

Pablo Picasso
Tête de Femme au Chapeau
1962

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Two Women by the Window | Deux femmes près de la fenêtre
1959

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Watermelon Still Life
1962

Pablo Picasso
Woman Reclining and Man with a Guitar | Femme couchée et homme à la guitare,
1959