
Fauna
2 works

Flowers and Butterflies, 1989
Screenprint on paper
20 4/5 × 17 1/5 in | 52.8 × 43.8 cm
Edition of 100
Yayoi Kusama stands as one of the most influential and commercially successful living artists, commanding extraordinary presence across both institutional and secondary markets. Her works consistently achieve record prices at auction, while major retrospectives at Tate Modern, the Hirshhorn, and the Museum of Modern Art have cemented her position within the contemporary art canon. Now in her tenth decade, Kusama continues to produce work that bridges the avant-garde experiments of her early career with an instantly recognizable visual vocabulary that resonates with collectors worldwide. Wave Crest, executed in 1999, exemplifies Kusama's enduring engagement with organic abstraction and her signature approach to pattern and repetition. The composition presents undulating forms that evoke the rhythmic motion of water, rendered through the artist's characteristic accumulation of curved lines and cellular shapes. Working in screenprint on Velin d'Arches paper, Kusama translates the obsessive mark-making of her painted works into the graphic precision of the print medium, achieving a visual tension between control and proliferation. The piece belongs to a period when the artist was actively revisiting motifs from her Infinity Net paintings while expanding her practice into editioned works, making her vision accessible to a broader collecting audience. This impression comes from an edition of sixty, a modest run that ensures relative scarcity within Kusama's extensive print oeuvre. The work measures 76 by 56.5 centimetres, offering substantial visual impact while remaining suited to diverse installation contexts. Guy Hepner welcomes enquiries from collectors seeking to acquire this distinguished example of Kusama's graphic production.
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Yayoi Kusama
Dandelions
1985

Yayoi Kusama
Flower
1989

Yayoi Kusama
Flower (3)
1999

Yayoi Kusama
Flower Basket
1993

Yayoi Kusama
Flower C
2005

Yayoi Kusama
Flower Garden
1989

Yayoi Kusama
Flower I
1992

Yayoi Kusama
Flower XL
1993

Yayoi Kusama
Flowers
1993

Yayoi Kusama
Flowers (4)
1999

Yayoi Kusama
Flowers 1
1985

Yayoi Kusama
Flowers C
2005

Yayoi Kusama
Flowers FW
1993

Yayoi Kusama
Flowers QE
1993

Yayoi Kusama
Night Flowers (B)
2003

Yayoi Kusama
Night Flowers A
2003

Yayoi Kusama
Summer Flowers
1990

Yayoi Kusama
Sunflower
1989

Yayoi Kusama
Tulipe (I)
2000

Yayoi Kusama
Tulipe I
2000
Yayoi Kusama's "Flowers" prints represent a remarkable intersection of the artist's signature visual language and one of nature's most enduring subjects. These works translate Kusama's lifelong obsession with polka dots and infinite patterns into vibrant botanical compositions that pulsate with psychedelic energy. Each flower becomes a vessel for her compulsive mark-making, transforming traditional floral imagery into hypnotic fields of repetition that challenge perceptual boundaries. The prints capture Kusama's unique ability to channel her psychological experiences into universal symbols of growth, regeneration, and infinite expansion.
For collectors, Kusama's "Flowers" prints offer an accessible entry point into the work of one of contemporary art's most significant living artists. These editions maintain the intensity and visual impact of her large-scale installations while existing at a scale suitable for intimate viewing and private collections. The prints demonstrate Kusama's masterful color sense and her ability to create optical complexity through deceptively simple compositional strategies. As her market continues to strengthen globally, with major museum retrospectives and institutional acquisitions affirming her canonical status, these works represent both aesthetic and investment value.
The "Flowers" series exemplifies Kusama's enduring commitment to themes of infinity, self-obliteration, and the transcendent power of repetitive pattern. Each bloom radiates outward in endless multiplication, embodying the artist's vision of cosmic interconnection and boundless expansion.
For available Yayoi Kusama "Flowers" prints and expert consultation, contact Guy Hepner.

Yayoi Kusama prints for sale at Guy Hepner Gallery in New York include Infinity Net editions, pumpkin screenprints, dot works, Flower Ball multiples, and the full range of her extraordinary print output — representing one of the most consistently in-demand bodies of work in the contemporary edition market. For collectors seeking Yayoi Kusama art for sale, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, authenticated works across all her major print series, and access to a market that has demonstrated exceptional sustained strength.
Yayoi Kusama (b. 1929, Matsumoto, Japan) is the highest-selling living female artist in the world and one of the most instantly recognisable visual presences in contemporary art — an artist whose dots, nets, pumpkins, and Infinity Mirror Rooms have achieved a cultural ubiquity that coexists, without diminishing, with the genuine psychological intensity from which her work emerged. Kusama began making art as a child as a means of processing the hallucinations she experienced — flowers speaking to her, the self dissolving into fields of pattern and repetition — and the therapeutic impetus has never separated itself from the formal achievement. The work is not illustration of pathology but its transformation into aesthetic proposition.
Kusama received traditional Japanese painting training before moving to New York in 1958, where she became a conspicuous and somewhat isolated figure in an avant-garde largely indifferent to her practice. Her Infinity Net paintings — monumental canvases covered in an unbroken weave of looping marks applied with obsessive labour — anticipated the Minimalist investigation of serial mark-making while remaining intensely personal, each loop a unit in an accumulation too vast to resolve into pattern.
The visual world Kusama has created across her long career rests on a small number of obsessively repeated motifs:
Kusama's auction record stands at $7,109,000 for Infinity Nets (TW) at Christie's, with multiple major Net canvases from the late 1950s and 1960s achieving $5,000,000+ at Sotheby's and Christie's. An Infinity Nets canvas from 1959 achieved $5,098,000 at Christie's in November 2021. She has held the record for the highest auction result achieved by a living female artist for many years. Her major paintings — particularly early Net works and large-scale Infinity environments — are held primarily in institutional collections or by committed long-term private collectors and rarely come to market.
Her print editions — featuring signature dot and pumpkin imagery — are among the most actively traded in the contemporary edition market, with strong global demand across price points. Kusama has worked with publishers in Japan and internationally to produce editions across all major print media: screenprints, lithographs, woodcuts, and etchings.
Print prices range from $8,000–$15,000 for smaller open-style editions through $50,000–$200,000+ for rare signed limited editions featuring pumpkins, infinity net patterns, or dot works in high demand colourways. Works produced in collaboration with Ota Fine Arts and other authorised publishers carry the strongest provenance.
Motif: Pumpkin works and infinity net prints consistently outperform generic dot compositions. Flower Ball works carry strong demand. Early net works on paper, if available, are among the rarest and most historically significant objects in her output.
Edition size and signature: Small-edition signed prints carry significant premium over open editions. Certificates of authenticity from Ota Fine Arts or the artist's studio are essential for any significant acquisition.
Colourway: Yellow and black pumpkin works (echoing her iconic Naoshima installation) carry premium. Red and white, gold, and silver colourways in dot and net works also command strong demand.
Condition: Kusama's prints are typically produced on quality substrates, but UV protection and stable storage are critical to long-term value preservation.
Provenance: Works with direct gallery provenance from Ota Fine Arts, Victoria Miro, or Zwirner hold value most reliably.
Kusama's work is held in permanent collections at MoMA, the Whitney Museum, Tate, the Centre Pompidou, the Guggenheim, the National Gallery of Victoria, the Hirshhorn Museum, and The Broad in Los Angeles. A landmark joint retrospective toured Tate Modern, the Centre Pompidou, the Whitney, and MoMA in 2012. She continues to produce work daily from her studio in Tokyo.
Guy Hepner offers authenticated Yayoi Kusama art for sale with full provenance documentation from our gallery at 177 Tenth Avenue, New York. We provide expert guidance on acquisition, free and confidential valuations for those wishing to sell, and access to a global network of collectors actively seeking her work across all media and price points. Whether you are seeking Yayoi Kusama prints for sale in a specific motif or colourway, or exploring her broader edition output, Guy Hepner is the right starting point.