
Blossoms
5 works
Guy Hepner, New York, presents the Skulls series by Damien Hirst, representing one of the most commercially significant and culturally resonant bodies of work in contemporary art. Damien Hirst's market authority remains unparalleled among living British artists. His landmark 2008 single-artist auction at Sotheby's London, "Beautiful Inside My Head Forever," achieved $198 million in total sales—an unprecedented event that bypassed traditional gallery representation and redefined artist-auction relationships.
Within this expanding landscape, Hirst's print editions occupy a strategic position—offering established collector value with verified authentication through Science Ltd and gallery representation through White Cube.
The Skulls series emerges directly from Hirst's most ambitious and controversial sculptural achievement: "For the Love of God" (2007), the platinum cast human skull encrusted with 8,601 flawless diamonds and valued at $100 million upon completion. This singular work crystallized Hirst's decades-long meditation on mortality, luxury, and the commodification of death into an object of unprecedented material extravagance.
The print editions translate this conceptual intensity into accessible formats while preserving the work's philosophical weight. Hirst has stated that the skull represents the most democratic of all symbols—every viewer, regardless of background, understands mortality. Yet by rendering death in precious materials and vibrant colors, he subverts expected solemnity, creating works that oscillate between memento mori and pop celebration.
The "Till Death Do Us Part" editions, initiated in 2012, extend this investigation through systematic color variations. Each chromatic pairing—from dove grey and gunmetal to royal purple and gold—reframes the identical skull image, demonstrating how context and presentation alter emotional reception. The title itself, borrowed from marriage vows, introduces themes of commitment, permanence, and inevitable dissolution that complement the mortality symbolism.
The Skulls series encompasses multiple print techniques, each selected to achieve specific visual and material qualities.
Silkscreen Editions (2012)
The "Till Death Do Us Part" silkscreens represent Hirst's most extensive exploration of the skull motif in print. Each work employs multiple color separations to achieve the luminous gradients and precise registration that define the series. The silkscreen medium permits saturated color fields—from the confrontational blue/yellow pairing to the sophisticated dove grey/gunmetal/leaf green combination—while maintaining sharp linear definition in the skull's anatomical details.
Foil Block Editions (2009)
The "Lime Green/Island Copper Skull" demonstrates Hirst's experimentation with metallic substrates. Executed as two-color foil blocks on Arches paper, this edition introduces reflective surfaces that shift with viewing angle and lighting conditions. The copper and green pairing references both patinated bronze sculpture and biological decay, while the premium Arches substrate ensures archival stability.
Diamond Dust Editions (2011)
"For the Love of God (White)" represents the most materially complex work within the series. The silkscreen print incorporates glazes and genuine diamond dust, creating surfaces that literally sparkle—a direct reference to the diamond-encrusted original sculpture. This edition bridges the conceptual gap between accessible print and precious object, embodying Hirst's persistent interest in value construction and material fetishism.
All works are authenticated through Science Ltd, Hirst's studio and administrative organization, ensuring provenance integrity and edition verification.
Till Death Do Us Part (blue/yellow) (2012)
This silkscreen achieved GBP 11,711 at auction in January 2023, establishing contemporary market benchmarks for the series. The blue/yellow pairing represents one of the more visually assertive combinations, with complementary colors creating maximum chromatic tension across the skull form.
For The Love Of God (White) (2011)
The diamond dust edition commands particular collector attention due to its material relationship with the original sculpture. The white palette creates ethereal, almost spectral imagery—the skull appearing as apparition rather than anatomical fact.
Till Death Do Us Part (royal purple/gold) (2012)
The purple and gold combination introduces historical associations with royalty, religious authority, and burial ritual, expanding the work's iconographic resonance beyond pure mortality symbolism.
Damien Hirst emerged as a defining figure of the Young British Artists movement in the late 1980s, building a body of work across painting, sculpture, and printmaking united by a sustained conceptual interest in mortality, science, medicine, and belief systems. His prints and editions extend the visual language developed across his sculptural and painted work — repetition, colour systems, and the tension between clinical precision and organic subject matter — into widely accessible reproducible form.
Hirst's work is held in the permanent collections of major museums worldwide, and his 2008 "Beautiful Inside My Head Forever" single-artist auction at Sotheby's, which bypassed the traditional gallery system entirely, remains one of the most widely discussed events in the recent history of the contemporary art market.

18 works available

Damien Hirst
Abacus - The Dream is Dead
2007

Damien Hirst
For The Love of God
2012

Damien Hirst
For the Love of God (DD)
2007

Damien Hirst
For the Love of God (enlightenment)
2012

Damien Hirst
For the Love of God (Shine)
2007

Damien Hirst
For The Love Of God (White)
2011

Damien Hirst
For The Love Of God, Laugh
2007

Damien Hirst
For the Love of God, Pray
2007

Damien Hirst
Lime Green/Island Copper Skull,
2009

Damien Hirst
Till Death Do Us Part (blue/yellow
2012

Damien Hirst
Till Death Do Us Part (Coral red/silver gloss/ true blue)
2012

Damien Hirst
Till Death Do Us Part (dove grey/gunmetal/leaf green)
2012

Damien Hirst
Till Death Do Us Part (green/emerald)
2012

Damien Hirst
Till Death Do Us Part (Milk chocolate brown/ true blue/ bubblegum pink)
2012

Damien Hirst
Till Death Do Us Part (peppermint green/silver)
2012

Damien Hirst
Till Death Do Us Part (pink/yellow)
2012

Damien Hirst
Till Death Do Us Part (royal purple/gold)
2012

Damien Hirst
Till Death Do Us Part (Tme bright orange/ african gold/ emerald green)
2012
Five Facts About Damien Hirst Skulls
Hirst's Skulls print series takes its central image from 'For the Love of God' (2007), his platinum cast of a human skull encrusted with 8,601 diamonds.
The Till Death Do Us Part editions, begun in 2012, are silkscreen prints of the skull produced in multiple colour pairings, including blue/yellow and royal purple/gold.
'For the Love of God (White)' (2011) is a silkscreen print incorporating glazes and genuine diamond dust, referencing the diamond surface of the original sculpture.
'Lime Green/Island Copper Skull' (2009) is a two-colour foil block print on Arches paper.
All works in the Skulls series are authenticated through Science Ltd, Hirst's studio and administrative organisation.
Market Data
See real auction history, estimate ranges and price benchmarks for individual Skulls prints, sourced from Christie's, Sotheby's and other major auction houses.
Frequently Asked Questions
Damien Hirst Skulls prints for sale are available at Guy Hepner Gallery, 177 Tenth Avenue, New York. We offer authenticated editions with full provenance documentation sourced from the secondary market and directly from publishers.
Damien Hirst Skulls works — 18 available — are typically produced as limited editions, individually signed and numbered by the artist. Contact Guy Hepner Gallery for edition details on specific works.
Pricing for Damien Hirst Skulls prints varies by edition size, date, and condition. Contact Guy Hepner Gallery for current market pricing and availability.
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