| Presentation | Unique |
|---|---|
| Size | 47 x 47 In |
| Medium | Spray paint on street sign |
| Genre | urban |
Single Lane Ahead by Banksy
Single Lane Ahead by Banksy from the Prints.
Description
Single Lane Ahead by Banksy
Arguably the most controversial street artist in the world, Banksy has developed an entire art subculture devoted to his works. Banksy’s art can impact any location at any given moment. His identity remains unknown, even after over 20 years of being involved with the graffiti scene. He has worked with many different types of street art media and street art types. His work not only includes many powerful, often controversial images, but they may also be found throughout the Internet as viral images.
Banksy’s artwork has appeared throughout London and other locations around the world. Bansky’s artwork is characterized by striking images, often combined with slogans. His work regularly engages political themes, satirically critiquing war, capitalism, hypocrisy and greed. Common subjects include rats, apes, policemen, members of the royal family, and children. In addition to his two-dimensional work, Banksy is known for his installation artwork. One of the most celebrated of these pieces, which featured a live elephant painted with a Victorian wallpaper pattern, sparked controversy among animal rights activists. He was the subject of a 2010 documentary, “Exit Through the Gift Shop,” which examined the relationship between commercial and street art
His artwork has appeared throughout London and other locations around the world. Bansky’s artwork is characterized by striking images, often combined with slogans. His work regularly engages political themes, satirically critiquing war, capitalism, hypocrisy and greed.
The notion of the “Banksy Effect” has been developed as a result of Banksy’s artistic innovation, and it alludes to the artist’s ability to turn outsider art into the cultural mainstream. Due to the fact that Graffiti still remains illegal, his work persists to raise critical questions in the social sphere about the lines and boundaries between public art and vandalism.
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