Lithograph with extensive watercolour applied by hand
Gardoons a la Mousseline, from Wild Raspberries by Andy Warhol
In the spring of 1959, legendary interior decorator and bohemian hostess Suzie Frankfurt came across the work of a young artist at one of the occasional art exhibits held at Manhattan’s Serendipity ice cream parlor. She was unfamiliar with him but was immediately taken with his whimsical watercolors of flowers and butterflies. The artist, it turned out, was Andy Warhol, who was working as an art director at Doubleday at the time and illustrating his children’s books shortly before he invented himself as Andy Warhol.
Intrigued, Frankfurt got herself an appointment to be introduced to young Warhol and went to meet him in the fourth-floor walkup he shared with his mother, Julia Warhola. She recounts that fateful encounter:
I shall never forget that meeting. Andy greeted me as if we had known each other for years. He was especially fascinated by the fact I grew up in Malibu and had lived next door to [the actress] Myrna Loy. He also loved the fact I collected antique jewelry. I felt we had become new best friends in an instant. We made a lunch date for the following day, and that was how it started.
They became fast friends — a wavelength alignment only solidified when, one day, Warhol went to Frankfurt’s apartment for dinner and brought her a gold vermeil rose from Tiffany; she promptly filled a Coke bottle with water and put the rose in it — an act that especially delighted Warhol. By the fall, they had decided to collaborate on a series of handmade books that mocked the fashionable, mass-produced French cuisine cookbooks popular in the 1950s. Frankfurt wrote some recipes, Warhol illustrated them with his Dr. Martin’s paints, and his mother did the calligraphy. Wanting all the books to be hand-colored, they hired four boys who lived upstairs to come down every afternoon and do the coloring. So painstaking was the process that they were only able to produce 34 full-color books, which they took downtown for the rabbis to do the hand-binding. The result was nothing short of mesmerizing. But to the duo’s disappointment, the dream that New York’s booksellers would flood them with orders never materialized — instead, they left a few of their labor-of-love masterpieces for consignment at Doubleday and Rizzoli, and gave the rest away as Christmas presents to friends.
As for the recipes, they cater more to the artistic than the culinary — more to expressionism than to realism. One instructs that you call Trader Vic’s, order a 40-pound suckling pig, then “have Hanley take the Carey Cadillac to the side entrance and receive the pig.” Frankfurt’s son captures their singular allure:
Clearly, [the recipes] won’t help with your cooking, but they are indicative of all of Andy’s work: they are immediate. …Wild Raspberries, like everything Warhol did, is about finished product, not about process.
About Andy Warhol:
More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol’s life and work inspires creative thinkers worldwide thanks to his enduring imagery, his artfully cultivated celebrity, and the ongoing research of dedicated scholars. His impact as an artist is far deeper and greater than his one prescient observation that “everyone will be world famous for fifteen minutes.” His omnivorous curiosity resulted in an enormous body of work that spanned every available medium and most importantly contributed to the collapse of boundaries between high and low culture.White Nine Dollar Signs by Andy Warhol shows his obsession with consumerism as an artform.
A skilled social networker, Warhol parlayed his fame, one connection at a time, to the status of a globally recognized brand. Decades before widespread reliance on portable media devices, he documented his daily activities and interactions on his traveling audio tape recorder and beloved Minox 35EL camera. Predating the hyper-personal outlets now provided online, Warhol captured life’s every minute detail in all its messy, ordinary glamour and broadcast it through his work, to a wide and receptive audience.
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