Buste de Femme de Face by Picasso

In this Pablo Picasso Illustrated Book, often refered to as “The Gongora Suite,” Picasso was inspired by the compositions of illuminated manuscripts. Picasso copied the 20 sonnets himself, transferred them to copperplates, and then decorated them richly with remarques. These original Pablo Picasso etchings were published in 1948 in an edition of 250, made to illustrate the poems of Luis de Góngora y Argote.








Etching and aquatint




edition of 250


Buste de Femme de Face by Picasso

Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blanco, he began to draw at an early age. In 1895, the Picasso family moved to Barcelona. It was there that Pablo studied at La Lonja, the local academy of fine arts. His association with the patrons of the café Els Quatre Gats in the late 1890s was crucial to his early artistic development in that the café was a nexus of social life among artists, authors, musicians, and the like, as well as the site of several music performances and tertulias (‘literary gatherings’).

In 1900, Pablo Picasso’s first exhibition took place in Barcelona, and in the fall of the same year he visited Paris for the first time. It was in Paris where he observed the paintings of Edouard Manet, Gustave Courbet, and Henri Toulouse-Lautrec. He settled there in April 1904, and soon his circle of friends included the poet Guillaume Apollinaire, writer Max Jacob, Gertrude and Leo Stein, and art dealers Ambroise Vollard and Berthe Weill.

Picasso’s visual style and choice of subject matter developed dramatically over a short period of time. The time between 1901 and 1904 has come be known as his ‘Blue Period,’ 1905 his ‘Rose Period,’ from 1908 to 1911 his Analytic Cubist phase, and from 1912 forward his Synthetic Cubist phase. The Blue Period is named for Picasso’s color palette at the time, and is distinguished by its subject matter: vagrants, outcasts, prostitutes, and otherwise marginalized people. The Rose Period marked a brightening of Picasso’s palette: pinks, beiges, roses, and light blues. His choice of subject matter followed suit: clowns, harlequins, and saltimbanques (‘circus people’).

Picasso’s name is synonymous with the development of Cubism, which is the permutation of several artistic trends and of the styles of certain artists. Through Gertrude and Leo Stein, Picasso knew Henri Matisse, who had stirred audiences in 1905 with paintings displaying harsh, dissonant colors. Critics chided Matisse’s paintings, while Picasso admired them. He also admired the so-called ‘primitive’ works of Henri Rousseau. While in Paris, Picasso frequented the Musée d’Ethnographie du Trocadéro, where he saw works of indigenous African art, and in Spain discovered ancient Iberian sculpture. Through a collaboration with the artist Georges Braque, Picasso gradually combined his influences into a wholly original style, which fragmented three-dimensional forms into abstract geometric shapes that intertwined and overlapped each other. His first major Cubist work was the renowned Les Demoiselles d’Avignon, which he completed in 1907 but didn’t not show to anyone until 1916.

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