Nick Veasey 1988 Ferrari F40 GTE For Sale
Nick Veasey
1988 Ferrari F40 GTE
Framed Chromaluxe
65.6 x 23.5”
About this work
Nick Veasey has established himself as the foremost artist working with X-ray imaging, transforming industrial radiographic technology into a distinctive visual language that reveals the hidden architecture of everyday objects. His work resides in major collections worldwide and has been exhibited extensively across Europe, Asia, and the Americas, cementing his position as a singular voice in contemporary photography. Veasey's practice strips away surface aesthetics to expose the engineering and skeletal beauty beneath, offering viewers an unprecedented perspective on the manufactured world. The 1988 Ferrari F40 GTE represents a particularly significant subject within Veasey's automotive explorations. The F40 itself occupies a legendary position in motorsport history—the final Ferrari approved by Enzo Ferrari before his death and a dominant force in GT racing throughout the early 1990s. By subjecting this vehicle to his radiographic process, Veasey lays bare the mechanical complexity and purposeful design that made the F40 GTE a formidable competitor on circuits from Le Mans to Laguna Seca. Every tube of the space frame chassis, every component of the twin-turbocharged engine becomes visible, transforming automotive engineering into anatomical study. Presented as a framed Chromaluxe print measuring 65.6 x 23.5 inches, this work employs a dye-sublimation process that delivers exceptional color density and archival stability, suited to the luminous quality inherent in Veasey's X-ray imagery. The elongated format accommodates the vehicle's full profile while emphasizing the horizontal tension of its racing silhouette. For acquisition inquiries regarding this work, please contact Guy Hepner directly.
Price on Application
Edition & Provenance
- Medium
- Framed Chromaluxe

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About Nick Veasey
Nick Veasey is a British artist born in London in 1962 whose practice occupies a space that no other artist has claimed quite so completely. Working from a custom-built, radiation-proof studio in Kent, England, he uses industrial X-ray equipment to expose the hidden interior of the world around us — cars, fashion, animals, instruments, the human body — producing images of extraordinary detail and haunting beauty that sit equally at home in science institutions and major fine art galleries.
His entry into the medium came by chance in 1996, when he was asked to X-ray a cola can for a television production. On the same day, he X-rayed the shoes he was wearing and showed the results to an art director. The response was immediate and galvanizing, and Veasey has never looked back. What followed was decades of relentless experimentation, collaboration with scientists, and the construction of a working practice that is as technically complex as it is visually compelling.
The work carries real conceptual weight. In a culture consumed by surface — by image, by appearance, by the carefully managed exterior — Veasey does the opposite. He strips it away entirely, revealing the inner architecture of things we think we know and exposing a beauty that exists only when the surface is removed. His X-rays do not create or transform. They reveal what was always there. The range of his subjects is broad and deliberate. Iconic automobiles including Ferrari and Porsche, Balenciaga couture from the Victoria and Albert Museum's permanent fashion collection, military hardware, musical instruments, flowers, and the human skeleton have all passed through his lead-lined studio. Each subject is treated with equal precision and equal curiosity. The result, across all of it, is work that manages to be simultaneously scientific and lyrical, factual and deeply strange.
His prints are produced on Chromaluxe, Diasec, and lenticular formats and issued in strict limited editions. His work has been acquired by the Victoria and Albert Museum as part of the British National Collection of Photography and has been exhibited across Europe, North America, and Asia. He is the recipient of awards from the IPA Lucie Awards, AOP, D&AD, Graphis, and Communication Arts, and was nominated for IPA Lucie International Photographer of the Year in 2008. Commercial collaborations have included Nike, Levi's, Adobe, Adidas, the BBC, and Porsche. His most recent work includes the SilXscreens series — silver silkscreen on colour acrylic — marking a significant new direction into colour after a practice long defined by monochromatic imagery.
