David Hockney Normandy


IN THE REALM OF ARTISTIC ENDEAVORS, INSPIRATION OFTEN STRIKES FROM THE MOST UNEXPECTED SOURCES. FOR DAVID HOCKNEY, IT WAS A VISIT TO THE BAYEUX MUSEUM THAT IGNITED A CREATIVE SPARK, LEADING TO THE INCEPTION OF HIS CAPTIVATING NORMANDY SERIES. AT THE BAYEUX MUSEUM, HOCKNEY FOUND HIMSELF DEEPLY MOVED BY THE FAMED BAYEUX TAPESTRY, A REMARKABLE EMBROIDERED WORK SPANNING NEARLY 70 METERS. DEPICTING THE CONQUEST OF ENGLAND BY WILLIAM, DUKE OF NORMANDY, IN THE 11TH CENTURY, THE TAPESTRY SERVED AS A SOURCE OF PROFOUND INSPIRATION FOR HOCKNEY.

INSPIRED BY THE TAPESTRY'S RICH NARRATIVE PAIRED WITH HIS TIME SPENT IN NORMANDY, HOCKNEY EMBARKED ON AN AMBITIOUS PROJECT TO CAPTURE THE ESSENCE OF THE REGION'S SPRINGTIME. HOWEVER, AS FATE WOULD HAVE IT, HOCKNEY'S ARTISTIC JOURNEY COINCIDED WITH A PERIOD OF GLOBAL UPHEAVAL. IN MARCH 2020, JUST AS HE WAS DELVING INTO HIS EXPLORATION OF NORMANDY'S LANDSCAPES, FRANCE ENTERED INTO A NATIONWIDE LOCKDOWN DUE TO THE COVID PANDEMIC. UNDETERRED BY THE CHALLENGES POSED BY THE LOCKDOWN, HOCKNEY TURNED TO HIS TRADITIONAL PAINTING METHODS TO BRING HIS VISION TO LIFE.

ARMED WITH HIS BRUSHES, PAINTS, AND CANVASES, HOCKNEY SET OUT TO IMMORTALIZE THE BEAUTY OF NORMANDY ON A GRAND SCALE. OVER THE COURSE OF SEVERAL MONTHS, HE POURED HIS HEART AND SOUL INTO HIS ARTWORK, CHANNELING THE VIBRANT HUES AND DYNAMIC ENERGY OF THE FRENCH COUNTRYSIDE ONTO CANVAS. WITH EACH BRUSHSTROKE, HE SOUGHT TO CAPTURE THE ESSENCE OF SPRINGTIME IN NORMANDY—THE BLOOMING FLOWERS, THE VERDANT FIELDS, AND THE GENTLE PLAY OF LIGHT AND SHADOW.

AS THE DAYS PASSED AND THE SEASONS TRANSITIONED, HOCKNEY'S ARTISTIC ODYSSEY EVOLVED, TRANSCENDING THE CONFINES OF SPRING TO ENCOMPASS THE ENTIRETY OF THE YEAR. THROUGH HIS IMMERSIVE EXPLORATION OF NORMANDY'S LANDSCAPES, HE CHRONICLED THE PASSAGE OF TIME WITH UNPARALLELED GRACE AND FINESSE. THE CYCLE OF NATURE UNFOLDED BEFORE HIS EYES, AND HE SEIZED THE OPPORTUNITY TO CAPTURE ITS FLEETING MOMENTS IN ALL THEIR SPLENDOR.

THE CULMINATION OF HOCKNEY'S MONUMENTAL UNDERTAKING WAS UNVEILED AT THE MAIN GALLERY OF THE MUSÉE DE L'ORANGERIE—A CELEBRATION OF NATURE'S ENDURING BEAUTY AND RESILIENCE. APTLY TITLED "A YEAR IN NORMANDY," THE EXHIBITION SHOWCASED THE SUCCESSION OF SEASONS IN THE FORM OF AN EIGHTY-METER-LONG FRIEZE, REMINISCENT OF MONET'S ICONIC WATER LILIES. IT SERVED AS A POIGNANT REMINDER OF THE CYCLICAL NATURE OF LIFE AND A TESTAMENT TO THE TRANSFORMATIVE POWER OF ART.

IN ESSENCE, DAVID HOCKNEY'S NORMANDY SERIES IS MORE THAN JUST A VISUAL SPECTACLE—IT IS A TESTAMENT TO THE RESILIENCE OF THE HUMAN SPIRIT AND THE ENDURING POWER OF CREATIVITY TO TRANSCEND ADVERSITY. THROUGH HIS ART, HOCKNEY INVITES US TO PAUSE, REFLECT, AND IMMERSE OURSELVES IN THE TIMELESS BEAUTY OF THE WORLD AROUND US, REMINDING US OF THE PROFOUND CONNECTION BETWEEN ART, NATURE, AND THE HUMAN EXPERIENCE.

April 3, 2024
  • Select Works from Normandy by David Hockney

    • David Hockney, Hawthorn Bush in Front of a Very Old and Dying Pear Tree, 2019
      David Hockney, Hawthorn Bush in Front of a Very Old and Dying Pear Tree, 2019
    • David Hockney, In Front of House Looking Left, 2019
      David Hockney, In Front of House Looking Left, 2019
    • David Hockney, In Front of House Looking North, 2019
      David Hockney, In Front of House Looking North, 2019
    • David Hockney, In Front of House Looking South, 2019
      David Hockney, In Front of House Looking South, 2019
    • David Hockney, Spilt Ink, 2019
      David Hockney, Spilt Ink, 2019
    • David Hockney, My Second Drawing of Beuvron-en-Auge, 2021
      David Hockney, My Second Drawing of Beuvron-en-Auge, 2021