Gazing Ball by Jeff Koons

“The Gazing Ball pieces trigger questions about the inherent dialogue between art works and their viewers in the most tangible way, as the viewers see themselves encapsulated within each work. Reflecting the onlookers’ physicality, Koons’ globes serve as portals, guiding viewers into these often misunderstood masterpieces, where art history meets contemporary pop culture, while never avoiding the viewer’s own visage in the engagement and experience of these famous pieces. For Koons, the act of viewing these pieces is as essential as their own objective histories, and while he cannot force a conversation face to face with each original simultaneously, the presentation here is an excellent start.” -Art Observed December 2017

Jeff Koons plays with ideas of taste, pleasure, celebrity, and commerce. “I believe in advertisement and media completely,” he says. “My art and my personal life are based in it.” Working with seductive commercial materials (such as the high chromium stainless steel of his Balloon sculptures or his vinyl “Inflatables”, shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons insists his practice is earnest and optimistic. “I’ve always loved Surrealism and Pop, so I just follow my interests and focus on them,” he says. “When you do that, things become very metaphysical.”

Jeff Koons was born in York, Pennsylvania in 1955. He studied at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. He received a BFA from the Maryland Institute College of Art in 1976. Koons lives and works in New York City.

Since his first solo exhibition in 1980, Koons’s work has been shown in major galleries and institutions throughout the world. His Celebration sculptures were the subject of exhibitions on the rooftop of the Metropolitan Museum of Art in New York and at the Neue Nationalgalerie in Berlin. Château de Versailles opened its doors to a living artist for the first time with Jeff Koons: Versailles, where a selection of his work were presented within the Grand Apartments. The Whitney Museum of American Art presented the most comprehensive survey of Koons’s career to date in 2014, Jeff Koons: A Retrospective (June 27 through October 19, 2014). This exhibition went on tour and was on view at the Pompidou Centre Paris (November 26, 2014 through April 27, 2015), and will travel on to the Guggenheim Museum Bilbao (June 9 through September 27, 2015).

Koons earned renown for his public sculptures, such as the monumental floral sculpture Puppy (1992), shown at Rockefeller Center and permanently installed at the Guggenheim Bilbao. Another floral sculpture, Split-Rocker (2000), previously installed at the Papal Palace in Avignon, Château de Versailles, and Fondation Beyeler Basel, was most recently on view at Rockefeller Center in 2014.

Jeff Koons has received numerous awards and honors in recognition of his cultural achievements. Notably, Koons received the Governor’s Awards for the Arts “Distinguished Arts Award” from the Pennsylvania Council on the Arts; the “Golden Plate Award” from the Academy of Achievement; President Jacques Chirac promoted Koons to Officier de la Legion d’Honneur; and Secretary of State Hillary Rodham Clinton honored Koons with the State Department’s Medal of the Arts for his outstanding commitment to the Art in Embassies Program and international cultural exchange. Koons has been a board member of The International Centre for Missing & Exploited Children (ICMEC) since 2002, and co-founded the Koons Family International Law and Policy Institute with ICMEC; for the purpose of combating global issues of child abduction and exploitation and to protect the world’s children.