
25 Cats Named Sam
20 works
The Hans Christian Andersen portfolio represents one of Andy Warhol's final creative statements, completed in the year of his death. For collectors seeking late-period Warhol at accessible price points, this series offers genuine entry into the artist's market without the seven-figure commitment required for iconic subjects. Auction records from 2017 show the portfolio trading in a range of DKK 50,000 to DKK 180,000, demonstrating real secondary market liquidity even for lesser-known series. To contextualise Warhol's broader market strength: Shot Sage Blue Marilyn achieved $195,040,000 at Christie's in May 2022, establishing the highest price ever paid for a twentieth-century artwork at auction. Mao prints each sold for $4,648,000 at Christie's in May 2025, while Flowers reached $4,076,000 and $3,832,000 at Sotheby's that same month. A Self-Portrait commanded $18,144,000 at Sotheby's in November 2023.
These benchmark results confirm sustained institutional and private demand for Warhol across all periods. The Hans Christian Andersen series, while operating in a different price band entirely, benefits from the structural strength supporting the artist's entire catalogue.
Warhol created the Hans Christian Andersen portfolio in 1987 as a commission honouring the beloved Danish author of fairy tales including The Little Mermaid, The Ugly Duckling, and The Snow Queen. The series comprises eight colour screenprints executed on Lenox Museum Board, each measuring 38 x 38 inches—a substantial format that commands presence on the wall.
This establishes clear provenance tracking within the accepted catalogue raisonné. Warhol's approach transforms Andersen's likeness through his signature screenprint process, applying the same visual language he brought to celebrity portraits throughout his career. The Danish commission reflects Warhol's international standing in his final years, when cultural institutions worldwide sought his interpretation of their national figures.
This series arrived at the culmination of a career that had redefined portraiture for the twentieth century—making these works both a historical document and a testament to Warhol's enduring methodology.
The eight prints each present Andersen through different colour combinations and compositional treatments. From our experience placing hundreds of Warhol works, collectors gravitate toward this series for several reasons: the connection to literary history appeals to those building collections around cultural narrative rather than pure celebrity iconography.
Certain compositions have demonstrated the strongest secondary market activity based on available auction data, suggesting these particular compositions resonate with buyers. The uniform 38 x 38 inch format across the screenprint editions creates display versatility—works function individually or as grouped installations for collectors acquiring multiple images.
The unique synthetic polymer painting on HMP paper occupies a different category entirely, representing Warhol's hand beyond the editioning process. Unique works from any Warhol series command premium positioning given their singularity. Collectors who already own prints from major series often pursue lesser-known portfolios to demonstrate connoisseurship and depth of commitment to the artist's complete output.
European collectors, particularly those with Scandinavian connections, show pronounced interest in this specific commission.
Every Hans Christian Andersen screenprint should bear proper documentation consistent with Feldman and Schellmann cataloguing. Edition stamps, publisher blindstamps, and Warhol's signature in pencil constitute standard authentication markers for prints from this period. The Andy Warhol Foundation authentication board disbanded in 2011, making provenance documentation and catalogue raisonné inclusion essential for establishing authenticity on works entering the market.
Condition assessment for these screenprints centres on ink coverage, colour registration, and paper integrity. Lenox Museum Board, while archival quality, remains susceptible to handling damage at sheet edges. Light exposure affects screenprint pigments over time—works maintained in controlled environments with proper UV filtration retain colour saturation critical to value preservation.
Guy Hepner provides comprehensive condition reporting on every work we offer, including professional photography under multiple lighting conditions. For collectors acquiring at distance, we arrange third-party condition assessments through independent conservators upon request. The relatively young age of this series—under four decades—means well-stored examples typically present in strong condition.
Acquire Hans Christian Andersen Works Through Guy Hepner
To discuss available inventory, request detailed condition reports, or explore this series within a broader Warhol acquisition strategy, contact our New York team directly. Guy Hepner maintains relationships with established collectors worldwide, enabling access to works before public offering.
This series belongs to the vast and varied body of print and painted work Warhol produced across five decades, during which he moved fluidly between celebrity portraiture, consumer product imagery, historical appropriation, and personal or commissioned subject matter — all filtered through the same signature screenprint process that flattened the distinction between mechanical reproduction and fine art. Warhol's insistence on treating commercial printing techniques as a primary artistic medium, rather than a secondary reproductive tool, remains one of the most influential positions in postwar American art.
Warhol's work is held in the permanent collections of major museums worldwide, including the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and the Andy Warhol Museum in Pittsburgh, which maintains the most complete public archive of his output across all periods and subjects.

8 works available

Andy Warhol
Hans Christian Andersen (F&S.II 394)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 395)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 396)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 397)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 398)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 399)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 400)
1987

Andy Warhol
Hans Christian Andersen (F&S.II 401)
1987
Five Facts About Andy Warhol Hans Christian Andersen
Hans Christian Andersen is a 1987 portfolio of screenprints created in the final year of Warhol's life, one of his last major series.
The portfolio was printed by Rupert Jasen Smith in New York and published by Art Expo Danmark in Odense, Denmark, catalogued as F&S II.395-398.
The subject was chosen by Warhol himself as a tribute to the Danish author, whose fairy tales he had loved since childhood.
Several images in the series depict stylized paper silhouettes, recalling Andersen's own hobby of intricate paper-cutting alongside his writing.
Each print is signed and numbered in pencil on verso, produced on Lenox Museum Board in Warhol's signature flat-color screenprint style.
Market Data
See real auction history, estimate ranges and price benchmarks for individual Hans Christian Andersen prints, sourced from Christie's, Sotheby's and other major auction houses.
Frequently Asked Questions
Andy Warhol Hans Christian Andersen prints for sale are available at Guy Hepner Gallery, 177 Tenth Avenue, New York. We offer authenticated editions with full provenance documentation sourced from the secondary market and directly from publishers.
Andy Warhol Hans Christian Andersen works — 8 available — are typically produced as limited editions, individually signed and numbered by the artist. Contact Guy Hepner Gallery for edition details on specific works.
Pricing for Andy Warhol Hans Christian Andersen prints varies by edition size, date, and condition. Contact Guy Hepner Gallery for current market pricing and availability.
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