
Archi-Props
8 works

Heaven/Hell, 1988
Soap-ground aquatints on Somerset cream paper
54 1/8 × 40 1/8 in | 137.5 × 101.9 cm
Ed Ruscha remains one of the most influential figures to emerge from the Los Angeles art scene, his work serving as a critical bridge between Pop Art and Conceptualism. Since the 1960s, his exploration of language, typography, and the American vernacular has secured his position in major institutional collections worldwide, including the Museum of Modern Art, the Whitney Museum of American Art, and the Tate Modern. His prints, in particular, have demonstrated remarkable strength in the secondary market, with works consistently achieving significant results at auction. Heaven/Hell from 1988 exemplifies Ruscha's enduring preoccupation with the tension between word and image, meaning and form. Executed as soap-ground aquatints on Somerset cream paper, this work belongs to a period when Ruscha was pushing the boundaries of traditional printmaking techniques to achieve the atmospheric gradients and luminous effects characteristic of his practice. The pairing of these two opposing concepts—rendered in his signature deadpan typographic style—invites meditation on fundamental dualities while refusing to privilege one over the other. The soap-ground process lends the surface a distinctive softness, creating an almost celestial quality that underscores the metaphysical weight of the subject matter. This impression comes from an edition of 25, a relatively modest number that speaks to the work's collectibility. The generous scale at over four and a half feet in height allows the piece to command significant presence, transforming any environment it inhabits into a space for contemplation. For acquisition inquiries regarding this work by Ed Ruscha, please contact Guy Hepner.
Price on Application


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